devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )
devidsketchbook:

LIGHTS ON
(New York City, 2013-2014)
Photographer Franck Bohbot  ( previously )
( via: ryanpanos )

devidsketchbook:

LIGHTS ON

(New York City, 2013-2014)

Photographer Franck Bohbot  previously )

( via: ryanpanos )

(via jonrsnow)

miguelmadriz:

dezeen les cordes chandelier by mathieu lehanneur
for chateau borely
miguelmadriz:

dezeen les cordes chandelier by mathieu lehanneur
for chateau borely

miguelmadriz:

dezeen les cordes chandelier by mathieu lehanneur

for chateau borely

(via brycoolviva)

suklad:

Tension (2006)

Sasha Arutyunova

(via finniqe)

asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.
asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before
“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions. I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.

asylum-art:

Douglas D. Prince: I’m looking for things that I haven’t seen before

“My creative evolution in photography is driven by my observations, my response to the environment, seeing things, and a need to manifest this vision into a tangible form. Another motivation is my curiosity about image processes and how these processes affect my perceptions.
I’ve been working to build a personal vision where craft and content fuse, teaching me to see the world photographically. Photography is the tool I use to search my environment. For me, the medium is as important as the content in making an image and it is an integral part of the image making process. I have explored traditional and alternative processes with the same passion that I‘ve explored my environment.

(via asylum-art)

tooth-eater:

urhajos:

Kai Carpenter

Kai Carpenter continuing to kill it with gouache
tooth-eater:

urhajos:

Kai Carpenter

Kai Carpenter continuing to kill it with gouache
tooth-eater:

urhajos:

Kai Carpenter

Kai Carpenter continuing to kill it with gouache
tooth-eater:

urhajos:

Kai Carpenter

Kai Carpenter continuing to kill it with gouache

tooth-eater:

urhajos:

Kai Carpenter

Kai Carpenter continuing to kill it with gouache

(via nydotr)


“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”

“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”

“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”
“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”

(via isabellelightvood)

permutatio:

"I think you’ve still got lightning in you."

Moonrise Kingdom (2012) dir. Wes Anderson 

(via extrasad)


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land


seeingpretty:

back from the magical Aswan & Nubia the Nile, the air, the history, the colors  and of course the kindest, warmest, most generous, cheerful & hospitable people bless them & their holy land

seeingpretty:

back from the magical Aswan & Nubia
the Nile, the air, the history, the colors
and of course the kindest, warmest, most generous, cheerful & hospitable people
bless them & their holy land

(via saroabdelaziz)